 |
John Warren Moutoussamy |
John Warren Moutoussamy
studied architecture at the Illinois Institute of Technology and graduated in
1948, a mere 26 years after McKissack & McKissack became the first
black-owned architecture firm in the United States (Fazzare and Olson). Moutoussamy
studied under Mies Van Der Rohe, and Mies’ strong exterior style and structural
design is evident in his work throughout the Chicago area. After finishing his
education, Moutoussamy became a partner in the Chicago Architecture Firm, Dubin
Dubin Black & Moutoussamy, making him the first African-American in U.S.
history to become part of a major established architecture firm (Goldsborough).
Later in his career, Moutoussamy also played prominent positions at the Art
Institute of Chicago, Loyola University, and the Chicago Plan Commission
As an architect, Moutoussamy followed the style of
Mies Van Der Rohe in many of his works
 |
Marshall Field Office |
his work at Dubin Dubin Black &
Moutoussamy involved large scale construction using steel and glass for housing
and colleges around Chicago, including the Marshall Field Office. Moutoussamy is most known for his work designing the
Johnson Publishing Company’s headquarters. The Johnson Publishing Building remains
the only solely Black-designed tower in downtown Chicago, and Moutoussamy’s interior
design celebrated black culture and
Ebony and
Jet magazines –
published in the same building. John H Johnson played a huge role in empowering
the African-American community through his publishing company, and their
Moutoussamy designed headquarters were declared a Chicago landmark to preserve
their architectural and cultural impact.
 |
Johnson Publishing Building |
While Moutoussamy’s career hasn’t been celebrated to nearly
the extent as that of his mentor, Mies Van Der Rohe, he was able to powerfully
bridge the gap between a predominantly white, western style of architecture, and
oppressed black communities. One of the often overlooked side effects of Mies’s
famous Crown Hall was that it was constructed on the site of an apartment
complex where Jazz musicians had gathered for years, erasing a cultural site in
its’ construction. Despite the negative side of new construction, John
Moutoussamy was able to give back through his work and use the same beautiful
construction style to create landmarks for people of color. Moutoussamy’s work
on the Johnson Publishing Building serves as a powerful symbol of the potential
for diversity in design, but also for the work that still needs to be done as the
building remains the only black designed downtown Chicago tower nearly 50 years
since its’ construction.
Comments
Post a Comment