Skip to main content

Pacific Northwest Halibut Fishing Hook


The halibut fishing hooks used by Pacific Northwest (PNW) Native Americans do not have a single originator, but they are an exceptional object developed over time to solve a number of problems at once.



First,  even though they are designed to land fish between 20 and 100 pounds, they can be manufactured by hand carving, without the use of metal knives. PNW Native Americans did not generally use iron tools, but had stone axes, chisels, and knives which they used to work the wooden parts of the hook. When metal tools became available they were quickly adopted. The hooks were made from multiple types of wood chosen for their properties, like strength, density, hardness, and even scent.

Second, the hooks were made in quantity, and repeatably, though PNW Native Americans did not have formalized units of measurement (inches, meters, cubits, etc). Instead, the measurements for the hook were derived from the hands of the carver.


Lastly, and most interestingly, the hooks are designed to only catch fish which are of a decent size, but not large enough that they are of a significant breeding age. Small fish cannot swallow the large hook, while larger fish would gulp the whole hook, then let it slip out of their mouth without it setting. This was recently proven out by a study examining the size of hooks over time, and testing what size fish they could catch. This capacity for discrimination allowed PNW fisheries to avoid overfishing in spite of heavy fishing by skilled fishers with superior technology.

From a design perspective, it is hard not to be impressed with a tool which has such sophisticated functional performance, while being manufacturable at scale, with minimal tooling, and using locally sourced, renewable materials. As is evidenced by the beautiful figural decoration of these hooks, their producers also felt that they were something special.

Comments

Popular posts from this blog

John Warren Moutoussamy

John Warren Moutoussamy John Warren Moutoussamy studied architecture at the Illinois Institute of Technology and graduated in 1948, a mere 26 years after McKissack & McKissack became the first black-owned architecture firm in the United States (Fazzare and Olson). Moutoussamy studied under Mies Van Der Rohe, and Mies’ strong exterior style and structural design is evident in his work throughout the Chicago area. After finishing his education, Moutoussamy became a partner in the Chicago Architecture Firm, Dubin Dubin Black & Moutoussamy, making him the first African-American in U.S. history to become part of a major established architecture firm (Goldsborough). Later in his career, Moutoussamy also played prominent positions at the Art Institute of Chicago, Loyola University, and the Chicago Plan Commission                As an architect, Moutoussamy followed the style of Mies Van Der Rohe in many of his wor...

Althea McNish, Trinidadian Textile Designer

By Katrina Filer Born in Trinidad but living in the foggy, grey world of London in the 50s, Althea McNish brought the colorful inspiration of her birthplace to the British textile scene. She was descended from former Black slaves who had fought for the British in the war of 1812, and she was born while Trinidad was still a colony, 38 years before they gained independence. Her impressionist-style prints based in the Caribbean's natural beauty were groundbreaking, pushing the way that her contemporaries looked at fashion, interior design, or anything else that could hold a pattern. Surrounded by a culture that constantly appropriated the art of its colonies (Trinidad included) and deep in a white male-dominated field, McNish still found her place in the fashion and textile industry, wielding genre-defining abstractions of tropical and floral beauty.  Angela Cobbinah. Althea McNish in 2008. Photography courtesy of the Camden New Journal. McNish's early life in Trinidad was charact...

Beverly Loraine Greene (1915-1957)

Beverly Loraine Greene was born October 4 th , 1915 in Chicago Illinois. Although she was born during a time where she was not accepted in the professional world she never stopped moving towards her goal of becoming an architect. In 1936, Greene made history by becoming the first African American female to earn a bachelor of science degree in architectural engineering from the University of Illinois at Urbana Champaign. Although she was “ amidst a sea of white male faces” at school, Beverly was known for having a calm presence that allowed her to focus on her difficult education (Illinois.edu). After graduating she began to search for a job in the industry, albeit the many obstacles in her way. Although it was difficult to find work at first due to racial discrimination, Greene’s talent and drive landed her a job with the Chicago Housing authority. This made her the first African American to be a part of the Chicago Housing authority, a corporation that oversees the housing in the cit...